Notes on a New Democracy: Attending Judith Butler and Mario Telo’s Converstion After Trump Won Again
The morning of the day right after the next president of my country is called: solemn, angst; words that could partially describe this feeling I’ve been trying to put a finger on for a bit. On the way to Qualcomm cafe after walking with my girlfriend to her section in Evans, I was forwarded an email from the philosophy department student affairs officer about an event that was happening in 30 minutes at Wheeler Hall. Judith Butler’s face in black and white now centered on my phone along with words about the talk I remember not much of except “tragedy”. Have you ever heard of the Baader-Meinhof phenomenon, maybe synchronities, or confirmation biases? I had a sense of this very specific feeling throughout the morning, but I didn’t really know what I was aware of--just that I was aware. Trump winning the general election was a monotone tragedy that glares so red in my mind that it could be observed as a moral brain hemorrhage.
This email bleeds the same. This parasocial relation then turned to somewhat of a reality, where I registered their face again, but in the corner of the reflection of my laptop darkened to converse the battery that I did’t think would last throughout the whole talk. (Thankfully it did, I’ll include the quick notes I took at the bottom of this paragraph.) They were walking along the outer aisle to get to the front stage as I was on the edge of the left side, sitting a row behind the front. I had two tabs open: Mario Telò’s curriculum vitae and a pirated PDF of Butler’s “Bodies That Matter”. I’m not sure exactly what they saw then, probably the highlighted “antigone” as I was trying to find something--but I think I now know a little what of they see in a new democracy given the tragic news of last night’s election.
**Put notes here, rmeember remember 2 put notes
Forgive me for not taking notes of the latter half! Here is what I took from the first half of the talk along with Mario Telò’s connections of his philological background to contemporary issues in politics. I’ll admit to have skimmed the book for the sake of trying to make sense of my notes but here are some main points:
The Townsend Center for the Humanities organized this event Mario Telò’s recently released his book "Reading Greek Tragedy with Judith Butler”. It basically examines the resonances (more on chorus / sound later) between Greek tragedy and contemporary structures of power, particularly the "moral sadism" underpinning acts of political brutality. Specifically in this talk as they draw on Athenian drama, both thinkers illuminate the "double bind" at the heart of modern political brutality, where institutions ostensibly dedicated to public safety become mirrors of the threats they claim to guard against (Telo 23).
This hypocrisy is laid bare in the rhetoric of the security state, which, as Telo observes, "instrumentalizes law to shield its violence from moral criticism" (67). Rights are annihilated in the name of the very freedoms they enshrine, a paradox that reaches its apogee in the "moral sadism" of fascist regimes.
Butler brings up Melanie Klein’s ideas of moral sadism for a significant chunk of the talk to connect what the audience (students, past students) went through and/or are still troubled with. Telo expands on it in the book; illustrating how brutality is repackaged as righteousness, providing cover for the untrammeled application of state power (89). The shameless revelry of demagogues in their own impunity, the "quasi-moral justification" provided by violence against marginalized populations, points to the perverse thrill at the core of authoritarian spectacle (102). We see this dynamic play out with chilling clarity in Israel's occupation of Palestine, where the language of "self-defense" is contorted to justify the effacement of an entire people's claim to sovereignty and self-determination (172). Genocide becomes the implicit logic of a system sustained by originary violence and the denial of basic human rights. Faced with such staggering and systemic hypocrisy, one's faith in the redemptive potential of liberal democracy cannot help but waver. The "moral sheen" of state violence, as Butler and Telo demonstrate, is not an aberration but a constitutive feature of the capitalist nation-state. Confronting this grim reality demands more than piecemeal reform or appeals to reason.
It is only through a radical reimagining of the public sphere, a "coalition of the despised" willing to confront unflinchingly the tragic substructure of rights in our current order, that we can hope to build a truly emancipatory politics (201). As the blood-stained edifice of liberal democracy teeters under the weight of its own contradictions, Butler and Telo's provocative readings of ancient tragedy light a path through the rubble, toward new recitations of the human.
An anecdote shared in the conversation that still strikes me: Butler recounts their experience visiting Palestine several years ago, where they witnessed a powerful act of resistance among prisoners in Gaza. The incarcerated would shout "hold steady" or simply "hold" to one another in Arabic, a defiant refusal to relinquish their humanity in the face of systemic oppression. From a quick google search, this sentiment is also shared in Butler’s 2015 article in the London Review of International Law "Human Shields”. This simple yet profound gesture of solidarity echoes the role of the chorus in ancient Greek tragedy. As Telo notes, the chorus often serves as a "collective voice of the community," bearing witness to the unfolding catastrophe and offering a space for shared mourning and reflection (Telo 56). In crying out to one another to "hold steady," the Palestinian prisoners enact a modern-day chorus, affirming their collective resilience in the face of a regime that would deny their very right to exist. For Butler, this anecdote underscores the urgency of building networks of solidarity and mutual support in our own communities, particularly in the aftermath of recent political upheavals. The rise of fascist and authoritarian movements, the erosion of democratic norms and institutions, can leave us feeling unmoored, despairing at the limitations of incremental reform.
Yet as the Palestinian prisoners demonstrate, even in the darkest of circumstances, there is power in collective resistance, in the simple act of bearing witness to one another's struggles. By coming together in our grief and our rage, by lending our voices to a shared chorus of dissent, we can begin to construct a new kind of public sphere – one rooted not in the hypocrisies and contradictions of the liberal state, but in a radical ethic of care and solidarity. In this sense, Butler suggests, reading Greek tragedy in our current moment is not merely an academic exercise, but an invitation to reimagine the very foundations of our political and social order. As Telo argues, tragic drama has always been a space for confronting the most intractable conflicts and moral quandaries of public life, for grappling with the "inescapable ambiguity of action in a world of contradictory demands" (Telo 187). By engaging with these ancient texts, and by drawing on the example of contemporary freedom struggles like that of the Palestinian prisoners, we can begin to envision a politics beyond the failed paradigms of liberal democracy – a politics that reckons unflinchingly with the tragic substructure of the state, while holding fast to the possibility of a world beyond its confines.
There’s way more to unpack of course, I just wish I had access to the recording so as to give enough justice to their scholarship. For instance, I recount notions of rightfully recognized self-hypocrisy in their privilege of eximaning such hard topics--being academic / persons of importance of an institution that upholds the structure they are critiquing. I had a conversation with a friend today, 11/8/24 who also attended the talk, and we talked about how the results of the election were more about Kamala losing the working class instead of Trump winning in general. There is a popular sentiment in leftist thought that culture wars distract us from the class war. There are millions of words and ideas more profound speak on this, which is, in my opinion the greatest front that people of radical interest would have to (along with Butler’s suggestions of forming solidarity within our communities / selves) successfully accomplish victory. I’ll refer you to some easy-watching media at the bottom. Also, my girlfriend showed me a video of Bernie Sanders, in 2003, explaining how this country’s bipartisan distraction works to highschoolers. It helped me a lot in understanding some of my confusion with how this really is operated. Hope you are well, stay safe.
References
- [1] Butler, Judith. "Human Shields." London Review of Books, vol. 42, no. 14, 16 July 2020, https://www.lrb.co.uk/the-paper/v42/n14/judith-butler/human-shields.
- [2] Telo, Mario. "Reading Greek Tragedy with Judith Butler." Oxford, UK: Oxford University Press, 2024. Links about class culture:
- [3] https://www.tandfonline.com/doi/full/10.1080/09502386.2023.2199309
- [4] https://www.youtube.com/watch?v=gzK1wLW-JCk
- [5] Bernie spittin: https://www.youtube.com/watch?v=NT04eyjCkhM